Artwork in the room
"K. Česonytė’s paintings are variations on Expressionist painting: characterized by a trembling touch, energetic brushstrokes, and expressive paint textures with which she often seems to 'sculpt' figures, objects, and landscape elements. In terms of genre, the scope of her work is quite traditional. Landscapes predominate, though the artist has also painted a series of still lifes, numerous urban scenes, and the occasional stylized portrait. Yet, other aspects of K. Česonytė’s painting align her less with classical modernist art and more with the imagery of the contemporary, media-saturated world. 'My tools are the computer and virtual space,' she says. The visual imagery in her paintings derives not from reality itself, but from a virtual—or secondary—reality. For this creative artist, however, that serves merely as a springboard or a starting signal that liberates both imagination and hand. In her work, this secondary reality—or a chance motif—and the artist’s imagination most often intertwine inseparably. Images suggested by modern media are transformed into authentic visions, deeply and sensitively experienced by the painter herself."
Art critic Kristina Stančienė
Young And Talented - Rising Stars
About this artwork+
This painting titled "Dream" by Kristina Česonytė features whimsical figures floating against a speckled background. The figures are stylized and simplistic, reminiscent of child-like drawings. They appear interconnected, floating or drifting, which gives a dreamy quality to the work. The background is textured and dotted with tiny specks that suggest a starry night or a magical setting. This use of texture adds depth and a sense of wonder. Kristina Česonytė's style in this work is delicate and playful, using light colors and outlines to create forms that seem both ephemeral and joyful. There's an innocence and purity in the portrayal, aligning well with the theme of dreams. The overall effect is gentle and soothing, inviting the viewer to delve into a serene, dream-like state.




















